Marinea Heindel is not your typical woman. Known as Insect Mother, Marinea plays with bugs and makes art out of … More
As human beings, we are often drawn to art because it is a way for us to channel our creativity. … More
I am that basic dog mom that is all about her pup, or in my case, pups. Smiley and Pablo … More
With Thanksgiving and the arrival of the advent season, my social media pages are packed with posts about gratitude and getting ready for the holidays. Some posts ask practical, how-to-celebrate questions. Like the one I saw on Prague’s CrowdSauce group for expats. “Does anyone know if they sell oven cooking bags for turkeys here?” Or another, from a friend in the US, “Veg or no veg on Thanksgiving?” with the hashtag #everyonejustwantscarbs.
“I can’t call it Israel,” says photographer Gilles Peress while referring to flying to the location, “I call it Israelstein. It’s a combination of the two.” Peress’s photos are very clear; they show the different perspectives of one community. He remarked that in Israel and Palestine everything happens meter by meter, room to room. “You see stores disappearing one by one, I return to the same place again and again,” Peress explains his process of watching the changes. His pieces in this exhibition try to explore the reason why people don’t see the similarities between each other – “Desperate lives,” he sighs, “looking for differences.”
Today many nations are suffering and thousands of people are being killed. The major current conflicts with headlines all over the media include Gaza, Syria, Iraq and Ukraine. While some conflicts remain mostly regional, others like Israel-Palestine and Ukraine-Russia are becoming a threat to global peace. Obsessing over protecting the economy and continuing harmful trade cycles keeps preventing the success of peace talks and finding concrete solutions. Now more than ever we can see that history repeats itself. This is why we need to refer to the past when building a better future. That is the reason that DOX organized this exhibition…
Looking at the two mighty soldier statues evoked respect and admiration for Chinese culture and history. It is clear why Zeman hopes to gain economic insight and profit from cooperating with China. But adopting some great ideas can lead to also adopting less desirable ones — and if Czech respect for human rights ends up traded for money, then more people will begin looking at both statue and flesh-and-blood soldiers in fear instead of awe…
Adolf Wölfli (1864 – 1930) a self-proclaimed Swiss artist, composer, writer, farm-laborer, soldier and much more was orphaned at the age of 10 after being both physically and sexually abused. He was sentenced after attempting to commit a pedophilic act and was eventually hospitalized in the Waldau Mental Asylum near Bern, Germany, where he spent nearly half his life. The Asylum was also the place where he developed his passion for creating art.