THE BLOG ‘This Place’ Exhibition in Prague in DOX

This Place is the name of an International exhibition currently shown in the DOX gallery in Prague. The DOX Center for Contemporary Art, Architecture and Design has been organizing and hosting exhibitions for six years now. It has presented over 120 exhibition projects and is ranked among the most progressive artistic institutions in the Czech Republic.

The exhibition shows the photographs of twelve artists, each with a unique angle of the Israel-Palestine conflict. The exhibition of over 500 photos opened on October 24th and will be on display until March 2nd 2015. After Prague the exhibition will move to Tel Aviv for six months. After that it will be exhibited in the Norton Museum of Art followed by the Brooklyn Museum of Art. The exhibition will officially end on June 5th 2016. There are also thirteen original books produced for the exhibition – one with photos of each individual photographer and one comprehensive catalog. On Saturday October 25th, I saw four of the artists talk about their experience of creating This Place.

“I can’t call it Israel,” says photographer Gilles Peress while referring to flying to the location, “I call it Israelstein. It’s a combination of the two.” Peress’s photos are very clear; they show the different perspectives of one community. He remarked that in Israel and Palestine everything happens meter by meter, room to room. “You see stores disappearing one by one, I return to the same place again and again,” Peress explains his process of watching the changes. His pieces in this exhibition try to explore the reason why people don’t see the similarities between each other – “Desperate lives,” he sighs, “looking for differences.”

The content of Wendy Ewald’s project differed greatly from those of her colleagues. She explored what different communities in the area considered most important. Ewald had a total of fourteen different mini-projects exploring the lives of groups that ranged from women attending an orthodox military school to elderly villagers. She taught them seminars on photography and observed “how education forms the country.” Ewald taught these groups of people to take photos of what impacted their lives and taught them to use metaphors. Then she compared what different groups concentrated on in their photography.

Fazal Sheikh, like all the other photographers, had issues with photographing in the region. “I prefer an open perspective,” said Sheikh, “Israel is extremely constricting.” His project was about the transformation of the land. He visited a village that is now unrecognizable. It was transformed into a forest and the people who once lived there became displaced around the country. He decided to fly over the desert after spending time in a protest tent overlooking the dry barren land that would become a dense forest. He coupled taking photographs from a helicopter with listening to stories from combatants on both sides.

Joseph Koudelka, a Czech photographer, talked about originally denying Frederic Brenner’s invitation to cooperate with this project. “I bought my own ticket,” said Koudelka, “to avoid having any obligation.” He was born in 1938 and experienced the German occupation of his village. Later he witnessed the Russians first liberating the Czechs and then occupying them. “I grew up behind the Iron Curtain and always wanted to see the other side,” Koudelka expressed his sympathy for the people in the area. His book doesn’t always show the people, but you can see the impact of mankind in every photograph.

The subject of the title came up in the discussion. All the books and the project itself avoid naming the area that has had so many in its past. Art can be a tool of propaganda and the Israel-Palestine topic is a sensitive one with extremists on both sides. A name that didn’t lean to either side of the conflict seemed the most appropriate and most objective to allow the viewers to interpret the meaning.

More information can be found on their website: http://www.dox.cz/cs/vystavy/this-place

http://www.huffingtonpost.com/olena-kagui/this-place-exhibition-in-_b_6095398.html

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‘This Place’ Exhibition in Prague in DOX

“I can’t call it Israel,” says photographer Gilles Peress while referring to flying to the location, “I call it Israelstein. It’s a combination of the two.” Peress’s photos are very clear; they show the different perspectives of one community. He remarked that in Israel and Palestine everything happens meter by meter, room to room. “You see stores disappearing one by one, I return to the same place again and again,” Peress explains his process of watching the changes. His pieces in this exhibition try to explore the reason why people don’t see the similarities between each other – “Desperate lives,” he sighs, “looking for differences.”

This Place is the name of an International exhibition currently shown in the DOX gallery in Prague. The DOX Center for Contemporary Art, Architecture and Design has been organizing and hosting exhibitions for six years now. It has presented over 120 exhibition projects and is ranked among the most progressive artistic institutions in the Czech Republic.

The exhibition shows the photographs of twelve artists, each with a unique angle of the Israel-Palestine conflict. The exhibition of over 500 photos opened on October 24th and will be on display until March 2nd, 2015. After Prague, the exhibition will move to Tel Aviv for six months. After that, it will be exhibited in the Norton Museum of Art followed by the Brooklyn Museum of Art. The exhibition will officially end on June 5th, 2016. There are also thirteen original books produced for the exhibition – one with photos of each individual photographer and one comprehensive catalog. On Saturday, October 25th, I saw four of the artists talk about their experience of creating This Place.

“I can’t call it Israel,” says photographer Gilles Peress while referring to flying to the location, “I call it Israelstein. It’s a combination of the two.” Peress’s photos are very clear; they show the different perspectives of one community. He remarked that in Israel and Palestine everything happens meter by meter, room to room. “You see stores disappearing one by one, I return to the same place again and again,” Peress explains his process of watching the changes. His pieces in this exhibition try to explore the reason why people don’t see the similarities between each other – “Desperate lives,” he sighs, “looking for differences.”

The content of Wendy Ewald’s project differed greatly from those of her colleagues. She explored what different communities in the area considered most important. Ewald had a total of fourteen different mini-projects exploring the lives of groups that ranged from women attending an orthodox military school to elderly villagers. She taught them seminars on photography and observed: “how education forms the country.” Ewald taught these groups of people to take photos of what impacted their lives and taught them to use metaphors. Then she compared what different groups concentrated on in their photography.

Fazal Sheikh, like all the other photographers, had issues with photographing in the region. “I prefer an open perspective,” said Sheikh, “Israel is extremely constricting.” His project was about the transformation of the land. He visited a village that is now unrecognizable. It was transformed into a forest and the people who once lived there became displaced around the country. He decided to fly over the desert after spending time in a protest tent overlooking the dry barren land that would become a dense forest. He coupled taking photographs from a helicopter with listening to stories from combatants on both sides.

Joseph Koudelka, a Czech photographer, talked about originally denying Frederic Brenner‘s invitation to cooperate with this project. “I bought my own ticket,” said Koudelka, “to avoid having any obligation.” He was born in 1938 and experienced the German occupation of his village. Later he witnessed the Russians first liberating the Czechs and then occupying them. “I grew up behind the Iron Curtain and always wanted to see the other side,” Koudelka expressed his sympathy for the people in the area. His book doesn’t always show the people, but you can see the impact of mankind in every photograph.

The subject of the title came up in the discussion. All the books and the project itself avoid naming the area that has had so many in its past. Art can be a tool of propaganda and the Israel-Palestine topic is a sensitive one with extremists on both sides. A name that didn’t lean to either side of the conflict seemed the most appropriate and most objective to allow the viewers to interpret the meaning.

More information can be found on their website: http://www.dox.cz/cs/vystavy/this-place

Officially published here: http://www.huffingtonpost.com/olena-kagui/this-place-exhibition-in-_b_6095398.html

This post was updated on June 14th, 2018: the text, as well as title and headline, may have been edited, proofread and optimized for search engines. The featured image may have been changed due to copyright or quality issues.

100th Anniversary of WWI – DOX Front Line Exhibition (PHOTOS)

“In 1914 the Great War began… and has lasted ever since.”

This quote can be found at the DOX Center for Contemporary Art in Prague the capital of the ‘heart of Europe.’ August 4th 2014 marked the 100th anniversary of the beginning of World War I. The Front Line exhibition tells the stories of several Czech men from all over the country who had to leave their home and went to fight at various war fronts. Many powerful quotes written by Czech soldiers cover the walls of the exhibition:

“The most shocking fact about war is that its victims and its instruments are individual human beings…” – Aldous Huxley from the Austrian front.

“… we could write anything, just not the truth.” “What is fear. Fear is man. Man fears only man.” – Frantisek Seda also from the Austrian Front.

“If the soldiers were hungry, the town’s civilian population was hungrier still.” – Jan Vit from the Russian Front.

The quotes written by Czech soldiers reflect the hardships that war inflicts on the soldiers, their families and on the human psyche. But there are also quotes from famous global figures who touch on the cause and nature of wars:

“It is forbidden to kill; therefore all murderes are punished unless they kill in large numbers and to the sound of trumpets.” – Voltaire

“I do not know with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” – Albert Einstein.
The total number of civilian and military deaths during WWI is estimated to be around 40 million. The war devastated Europe and tensions lingered long after the war. The drive of each country to rebuild their economies and recreate normalcy in a post-war society led to mistrust and political unrest — the second world war began only 21 years after the first ended.

The exhibition includes bits and pieces of the belongings of the Czech soldiers. The letters they wrote, the medals they won and the photographs they took; all reveal the horror of war. But the stories that the soldiers and their families pass on are more than memories of the past — they are a warning message to our generation and those that will follow.

Today many nations are suffering and thousands of people are being killed. The major current conflicts with headlines all over the media include Gaza, Syria, Iraq and Ukraine. While some conflicts remain mostly regional, others like Israel-Palestine and Ukraine-Russia are becoming a threat to global peace. Obsessing over protecting the economy and continuing harmful trade cycles keeps preventing the success of peace talks and finding concrete solutions. Now more than ever we can see that history repeats itself. This is why we need to refer to the past when building a better future. That is the reason that DOX organized this exhibition:

“(So) that some recollections of these ugly and horrible days be preserved for future generations, so they guard well against the ambitions of ‘dangerous lunatics’…” – Josef Lacina

For more information about the exhibition visit: http://www.dox.cz/en/exhibitions/the-front-line

http://www.huffingtonpost.com/olena-kagui/100th-anniversary-of-wwi-_b_5698759.html

100th Anniversary of WWI – DOX Front Line Exhibition

Today many nations are suffering and thousands of people are being killed. The major current conflicts with headlines all over the media include Gaza, Syria, Iraq and Ukraine. While some conflicts remain mostly regional, others like Israel-Palestine and Ukraine-Russia are becoming a threat to global peace. Obsessing over protecting the economy and continuing harmful trade cycles keeps preventing the success of peace talks and finding concrete solutions. Now more than ever we can see that history repeats itself. This is why we need to refer to the past when building a better future. That is the reason that DOX organized this exhibition…

“In 1914 the Great War began… and has lasted ever since.”

This quote can be found at the DOX Center for Contemporary Art in Prague the capital of the ‘heart of Europe.’ August 4th, 2014 marked the 100th anniversary of the beginning of World War I. The Front Line exhibition tells the stories of several Czech men from all over the country who had to leave their home and went to fight at various war fronts. Many powerful quotes written by Czech soldiers cover the walls of the exhibition:

“The most shocking fact about war is that its victims and its instruments are individual human beings…” – Aldous Huxley from the Austrian front.

“… we could write anything, just not the truth.” “What is fear. Fear is man. Man fears only man.” – Frantisek Seda also from the Austrian Front.

“If the soldiers were hungry, the town’s civilian population was hungrier still.” – Jan Vit from the Russian Front.

The quotes written by Czech soldiers reflect the hardships that war inflicts on the soldiers, their families and on the human psyche. But there are also quotes from famous global figures who touch on the cause and nature of wars:

“It is forbidden to kill; therefore all murderers are punished unless they kill in large numbers and to the sound of trumpets.” – Voltaire

“I do not know with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” – Albert Einstein.

The total number of civilian and military deaths during WWI is estimated to be around 40 million. The war devastated Europe and tensions lingered long after the war. The drive of each country to rebuild their economies and recreate normalcy in a post-war society led to mistrust and political unrest – the second world war began only 21 years after the first ended.

The exhibition includes bits and pieces of the belongings of the Czech soldiers. The letters they wrote, the medals they won and the photographs they took; all reveal the horror of war. But the stories that the soldiers and their families pass on are more than memories of the past – they are a warning message to our generation and those that will follow.

Today many nations are suffering and thousands of people are being killed. The major current conflicts with headlines all over the media include Gaza, Syria, Iraq and Ukraine. While some conflicts remain mostly regional, others like Israel-Palestine and Ukraine-Russia are becoming a threat to global peace. Obsessing over protecting the economy and continuing harmful trade cycles keeps preventing the success of peace talks and finding concrete solutions. Now more than ever we can see that history repeats itself. This is why we need to refer to the past when building a better future. That is the reason that DOX organized this exhibition:

“(So) that some recollections of these ugly and horrible days be preserved for future generations, so they guard well against the ambitions of ‘dangerous lunatics’…” – Josef Lacina

2014-08-22-DSC_00162014-08-22-DSC_00172014-08-22-DSC_00232014-08-22-DSC_00242014-08-22-DSC_00252014-08-22-DSC_00282014-08-22-DSC_00312014-08-22-DSC_00352014-08-22-DSC_00482014-08-22-DSC_0059

Officially published here: http://www.huffingtonpost.com/olena-kagui/100th-anniversary-of-wwi-_b_5698759.html

This post was updated on June 14th, 2018: the text, as well as title and headline, may have been edited, proofread and optimized for search engines. The featured image may have been changed due to copyright or quality issues.